I do long-exposure blurred photography where what moves is not the photographed but the camera, that is, I move to create my own landscapes. It is a technique called Intentional Camera Movement. All the effects are produced in the taking of the photo, that is what I like the most, without complex editing.

The experience occurs in the movement of the camera itself. I love doing it, especially in natural paradises, because it is where this technique really explodes, making the final photograph have a pictorial tint mixing impressionism with expressionism.

Here we see a misty landscape ruled by an intense beam of red light that it has caused a fire in the forest